Comments for Via Artis Konsort http: - International early music ensemble - Wed, 10 Mar 2010 02:43:02 +0000 http://wordpress.org/?v=2.7.1 hourly 1 Comment on So what is this Early World Music thing.. by admin http://www.viaartis.info/lang/en/archives/716/comment-page-1#comment-1165 admin Thu, 11 Feb 2010 13:04:43 +0000 http://www.viaartis.info/?p=716#comment-1165 I¨m aware that the idea is not new, in fact Jordi Savall has been an inspiration to us, just like he'd inspired so many other early music ensembles. However it's important to advocate for this kind of music :) Try our playlist: http://www.last.fm/user/viaartiskonsort/library/playlists/2evxn_early_folk_and_world_music I think you will find it interesting. Thank you for listening. Poul, Via Artis Konsort I¨m aware that the idea is not new, in fact Jordi Savall has been an inspiration to us, just like he’d inspired so many other early music ensembles. However it’s important to advocate for this kind of music :) Try our playlist: http://www.last.fm/user/viaartiskonsort/library/playlists/2evxn_early_folk_and_world_music
I think you will find it interesting.
Thank you for listening.

Poul, Via Artis Konsort

]]> Comment on So what is this Early World Music thing.. by Anssi http://www.viaartis.info/lang/en/archives/716/comment-page-1#comment-396 Anssi Sun, 08 Nov 2009 10:14:13 +0000 http://www.viaartis.info/?p=716#comment-396 The idea of Early world music is really not that new or unique. I mean people like Jordi Savall and Andrew Lawrence-King have been exploring that since 1980s. Are you familiar with The Harp Consort? However, your music sounds great, keep up the good work! The idea of Early world music is really not that new or unique. I mean people like Jordi Savall and Andrew Lawrence-King have been exploring that since 1980s. Are you familiar with The Harp Consort?

However, your music sounds great, keep up the good work!

]]> Comment on El Arte de Tañer by Refections from the cathedral/Reflexiones desde la Catedral/Tanker fra katedralen - Via Artis Konsort http://www.viaartis.info/lang/en/discography/arte-de-tanner/comment-page-1#comment-334 Refections from the cathedral/Reflexiones desde la Catedral/Tanker fra katedralen - Via Artis Konsort Fri, 09 Oct 2009 09:28:22 +0000 http://www.viaartis.info/?page_id=1058#comment-334 [...] Another duet is a popular song, No me digays Madre, compiled in the latter half of the 16th century by the organist Francisco Salinas in his heavily theoretical work which he, on top of everything, wrote in Latin: De Musica libri septem. Also in this case I quickly run into trouble of a music historical sort: Francisco Salinas deals in the sixth book with prosody in text and music and gives some examples of popular music to illustrate his theories. One of these examples is precisely the song No me digays Madre, but Salinas only offers us what seems to be the chorus! Luckily there’s an anonymous tune notated on the previous page that likely may have been the melody for the verse part. That, of course, we cannot know for sure, but I have chosen to use it as such, despite of the uncertainty of its relationship with Salinas melody line. Maybe not completely correct from a musicologists point of view, but absolutely in accordance with the musical traditions of the period. Back to reality The storks on the cathedral’s roof are clattering, the pigeons cooing and dull strokes of the bell have now reached 10. It has become time to let Francisco Salinas and Juan del Encinas in peace and to pack up the recording equipment for today.   The recordings from the Cathedral in Salamanca were released on October 4th 2009 on the CD “El Arte de Tañer” (the art of playing), together with a number of recordings made on the renaissance organ at Sønderborg Castle, Denmark.. Read more at the Discography page: El Arte de Tañer - parla09001 [...] [...] Another duet is a popular song, No me digays Madre, compiled in the latter half of the 16th century by the organist Francisco Salinas in his heavily theoretical work which he, on top of everything, wrote in Latin: De Musica libri septem. Also in this case I quickly run into trouble of a music historical sort: Francisco Salinas deals in the sixth book with prosody in text and music and gives some examples of popular music to illustrate his theories. One of these examples is precisely the song No me digays Madre, but Salinas only offers us what seems to be the chorus! Luckily there’s an anonymous tune notated on the previous page that likely may have been the melody for the verse part. That, of course, we cannot know for sure, but I have chosen to use it as such, despite of the uncertainty of its relationship with Salinas melody line. Maybe not completely correct from a musicologists point of view, but absolutely in accordance with the musical traditions of the period. Back to reality The storks on the cathedral’s roof are clattering, the pigeons cooing and dull strokes of the bell have now reached 10. It has become time to let Francisco Salinas and Juan del Encinas in peace and to pack up the recording equipment for today.   The recordings from the Cathedral in Salamanca were released on October 4th 2009 on the CD “El Arte de Tañer” (the art of playing), together with a number of recordings made on the renaissance organ at Sønderborg Castle, Denmark.. Read more at the Discography page: El Arte de Tañer - parla09001 [...]

]]> Comment on El Arte de Tañer by Tweets that mention El Arte de Tañer - Via Artis Konsort -- Topsy.com http://www.viaartis.info/lang/en/discography/arte-de-tanner/comment-page-1#comment-333 Tweets that mention El Arte de Tañer - Via Artis Konsort -- Topsy.com Thu, 08 Oct 2009 20:08:20 +0000 http://www.viaartis.info/?page_id=1058#comment-333 [...] This post was mentioned on Twitter by laNiche Music. laNiche Music said: Reading: "#earlymusic El Arte de Tañer - Via Artis Konsort" (http://twitthis.com/iuinnu) [...] [...] This post was mentioned on Twitter by laNiche Music. laNiche Music said: Reading: "#earlymusic El Arte de Tañer - Via Artis Konsort" (http://twitthis.com/iuinnu) [...]

]]> Comment on So what is this Early World Music thing.. by Tweets that mention So what is this Early World Music thing …. - Via Artis Konsort -- Topsy.com http://www.viaartis.info/lang/en/archives/716/comment-page-1#comment-299 Tweets that mention So what is this Early World Music thing …. - Via Artis Konsort -- Topsy.com Sun, 20 Sep 2009 10:01:17 +0000 http://www.viaartis.info/?p=716#comment-299 [...] This post was mentioned on Twitter by laNiche Music, laNiche Music, laNiche Music, laNiche Music and others. laNiche Music said: Reading: ""worldmusic So what is this Early World Music thing …. " (http://twitthis.com/c42xgq) [...] [...] This post was mentioned on Twitter by laNiche Music, laNiche Music, laNiche Music, laNiche Music and others. laNiche Music said: Reading: ""worldmusic So what is this Early World Music thing …. " (http://twitthis.com/c42xgq) [...]

]]> Comment on In chorus: Todo el mundo en general by Victor Rondón http://www.viaartis.info/lang/en/archives/106/comment-page-1#comment-23 Victor Rondón Tue, 28 Apr 2009 19:51:47 +0000 http://www.musica.nu/ViaArtisKonsort_da/?p=106#comment-23 Luego de la propuesta franciscana fueron los jesuitas quienes asumieron y propiciaron esta devoción, a comienzos del siglo 17, aunque no todas las órdenes religiosas estuvieron de acuerdo. Por ejemplo los dominicos se opusieron decididamente llegando a producirse verdaderos enfrentamientos que arrastraron a la comunidad católica de la época, todo esto en Sevilla, que fue el epicentro concepcionista. El empeño jesuita parece que estuvo detrás de otros logros al respecto, como el apoyo real de Felipe III quien instruyó se asumiera oficialmente en sus territorios esta devoción y la obligación de todos los egresados de sus estudios superiores quienes para recibir su grado debían asumir o prometer el voto de defender la concepción purísima de María. Los jesuitas, en tanto primera red global efectiva del período moderno -en Europa, Oriente, Filipinas y las Américas- se encargaron de difundir aquellos productos artísticos y culturales que coincidieran con su ideología logrando universalizar repertorios musicales y teatrales, además de imágenes. Cada jesuita fue en tal sentido un passeur. En el caso de sudamérica -que es mi campo de estudio he podido encontrar testimonios escritos de la puesta en acto estratégica de situaciones en que se esta misma canción se "mediatizó" y popularizó en Lima, la capital virreinal, y en Santiago de Chile, en 1619 y 1620 respectivamente. Aún en el siglo 18 en los repertorios de las misiones jesuiticas en Chiquitos (actual bolivia) he podido encontrar versiones -al menos los texto- de esta misma copla. Hay un cuadro de Francisco Pacheco que representa la imagen iconograficamente canonizada de la virgen y a los pies de ella aparece Miguel Cid con las coplas en la mano. Si alguien se interesa en saber más de esta proyección austral de esta copla puede escribirme a rondon.victor@gmail.com saludos v. Luego de la propuesta franciscana fueron los jesuitas quienes asumieron y propiciaron esta devoción, a comienzos del siglo 17, aunque no todas las órdenes religiosas estuvieron de acuerdo. Por ejemplo los dominicos se opusieron decididamente llegando a producirse verdaderos enfrentamientos que arrastraron a la comunidad católica de la época, todo esto en Sevilla, que fue el epicentro concepcionista. El empeño jesuita parece que estuvo detrás de otros logros al respecto, como el apoyo real de Felipe III quien instruyó se asumiera oficialmente en sus territorios esta devoción y la obligación de todos los egresados de sus estudios superiores quienes para recibir su grado debían asumir o prometer el voto de defender la concepción purísima de María. Los jesuitas, en tanto primera red global efectiva del período moderno -en Europa, Oriente, Filipinas y las Américas- se encargaron de difundir aquellos productos artísticos y culturales que coincidieran con su ideología logrando universalizar repertorios musicales y teatrales, además de imágenes. Cada jesuita fue en tal sentido un passeur. En el caso de sudamérica -que es mi campo de estudio he podido encontrar testimonios escritos de la puesta en acto estratégica de situaciones en que se esta misma canción se “mediatizó” y popularizó en Lima, la capital virreinal, y en Santiago de Chile, en 1619 y 1620 respectivamente. Aún en el siglo 18 en los repertorios de las misiones jesuiticas en Chiquitos (actual bolivia) he podido encontrar versiones -al menos los texto- de esta misma copla.
Hay un cuadro de Francisco Pacheco que representa la imagen iconograficamente canonizada de la virgen y a los pies de ella aparece Miguel Cid con las coplas en la mano. Si alguien se interesa en saber más de esta proyección austral de esta copla puede escribirme a rondon.victor@gmail.com
saludos
v.

]]> Comment on Via Stellae på PLAY (Danish) by Marco Petersen http://www.viaartis.info/lang/en/archives/524/comment-page-1#comment-15 Marco Petersen Tue, 07 Apr 2009 19:15:01 +0000 http://www.musica.nu/ViaArtisKonsort_da/?p=524#comment-15 Jeg har hentet cd'en fra play, meget smuk musik. Jeg har hentet cd’en fra play, meget smuk musik.

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